4th International Urban Sketching Symposium: Sagar Fornies

Monday, February 11, 2013

Meet the Instructor: Sagar Fornies (Barcelona, SPAIN)

Sagar Fornies
Barcelona (SPAIN)

Born in Zaragoza. He's been living in Barcelona for 16 years now. He studied fine arts, graphic design and illustration. For ten years he has worked in the animation industry, creating advertising and film storyboards, character design and backgrounds, combined with editorial illustration and comic. Right now he devotes much of his time to create video scenography for opera and ballet. He has recently published two travel books, both set in BCN (Descobrint l’Eixample and Las Ramblas).

Blog: http://sagarfornies.blogspot.com.es/
Flickr: http://www.flickr.com/photos/sagarfornies/

Workshop A: Lighting the City

Lighting the City: Lights and Shadows amid Excitement and Serenity (Workshop A)

Instructor: Sagar Fornies (Barcelona)
Location: Plaça Vila Madrid i Carrer Canuda o Concepció

In this workshop we will study light in the urban landscape. By using saturated colors, participants will learn to create scenes with vivid contrasts and shadows.

We will also focus on composition, aiming to create drawings that convey a sense of serenity, as in a painting by Edward Hopper, or excitement, as in paintings by Vincent Van Gogh.

My interest lies in working with the light that surrounds us to identify areas of contrast and shade. Luckily, Barcelona is full of contrasting landscapes where we can focus on dark scenes and find spots of light.

Many times, as artists, we only pay attention to an object, often ignoring the environment or atmosphere that surrounds it. It's a process that does not solve the entire picture, but can give it an extra pictorial intensity. Over time, I learned how boring it is to try to follow the color palette of an urban landscape — there's too much chromatic monotony. In a very interesting conversation between Van Gogh and Gauguin, the painters were talking about the color of the sky. Van Gogh painted it blue, as he saw it, trying to represent the wind with his brushwork, while Gauguin painted it yellow, because what he was seeing was the light.

The structure of the workshop follows:

PART 1

After walking to the workshop location, we'll start with quick sketches using saturated colors in gouache or watercolor. We'll experiment with light working with few strokes, trying to cast shadows and illuminating the image inside the shadow to create more dimension in the drawing. (30 minutes. Six drawings. One-on-one instruction with attendees.)

Group huddle and explanation.

PART 2

In the second part, we'll move to slower drawings. We begin with stains, looking to depict areas of light and shade (chiaroscuro.) We'll follow adding lifework, which will follow the stains, not the other way around, as it's often done. (45 to 60 minutes. Four to five drawings. One-on-one instruction with attendees.)

Group huddle and explanation.

PART 3

In the last part, we will incorporate all of the above to the composition. First, we will learn how to compose a calm scene, intentionally providing sense of serenity that will make viewers slow down when they look at the picture.

Next we will make a sketch that conveys excitement, agitation, where the color stains and lines work together to create a frenzied atmosphere. (60 minutes. 2 drawings. One-on-one instruction with attendees.)

Group huddle, conclusion and assessment of the work.

Learning goals